Director Fran Casanova writes about working with me on the poster design for his film.

(Translated from Spanish)

Paul Shipper , English illustrator based in New Zealand, has been commissioned to conduct the official poster for my personal tribute to Indiana Jones ,  George Lucas , Steven Spielberg and all the fantastic team behind this wonderful saga.

This short, like the previous three, is made without the aid of any producer without a professional team.But there has been a work in which every detail is taken care (history, atmosphere, assembly, rhythm, etc.). So that the final result got to convey the essence of the saga.And just these indications were that I forwarded to Paul at the time of creating the poster, as I was concerned that the style of it was consistent with the original posters.

Working with Paul has been very rewarding and comfortable as that from the beginning understood very well connected and is exactly what you want.He knew before his work, including illustrations she had made about Indiana Jones, and thought it was the best person to do so.After get in touch with him, I took not only the pleasant surprise that I knew my job but also that he was delighted to work with me.

Paul has done a fantastic job and this is the result.

Posted via email from PS STUDIO DPI

Raiders of the Lost Ark celebrates it’s 30th Anniversary this weekend, thats right, 30 years…! The film was released on June 12th 1981… and to coincide with this momentous occasion I am fortunate to have been working on a couple of Indiana Jones pieces in the last few weeks. One is an illustration of Indy for the IndyCast website which is due to launch very soon, and the other is a film poster for the short film directed by fellow IndyFan, Fran Casanova.

 

I regard working on the Indiana Jones property as a true privilege and even though both of these jobs were not officially sanctioned LucasFilm assignments, I approached them both with the same amount of enthusiasm and quality of draftsmanship associated with the Indiana Jones franchise so the art looks as official as it can possibly be.

 

Indiana Jones swings into action.

 

You may have already seen this finished artwork on the blog already, but I have put together a short video clip of the art taking shape from drawing, to painting, to finishing. Showing you the process of two days of work in under 30 seconds.

 

 

 

Here’s a painting I did for the 20th anniversary. Unfortunately this 30th anniversary hasn’t afforded me time to create a specific 30th anniversary painting, but the year isn’t over yet

 

Posted via email from PS STUDIO DPI

Creating a traditionally illustrated one-sheet for a new comedy in an age where geography plays little part in reaching your goal…

Director, Daryl Goldberg was kind enough to recollect the beginnings of the creative process that led to the creation of a film poster through to the release of his film.

When it came time to make the poster for my feature-length comedy Made For Each Other, I knew I wanted something eye-catching, beautiful, and as fun as the movie itself to help build an audiences interests. I also knew that if I left the poster to the distributors, it would likely end up being a couple of generic looks from my principal actors with their faces simply on their as big as possible. In other words, generic. Like every other poster in the genre with only the combination of faces swapped out (remove Sandra Bullock, insert Jennifer Aniston, etc.). The fact of the matter is that the tendencies in posters these days, especially “romantic comedies”, is that the faces sell the movie and there is a sort of a paranoia towards taking any real chances in letting personality shine throw in your marketing materials. It seems the days of the poster as a work of art itself had largely past us by.

I thought back to movie posters I loved as a kid, the kind that stuck in your mind well after you had seen the movie itself. Posters that weren’t simply informing you of what faces you’d be seeing on the screen, but were themselves entertainment.

Once I had set my heart and mind on that style, I discovered my real challenge. Given the current tendencies in movie posters, they are primarily made by Photoshop artists rather than the traditional types of artists that produced them in the days before such digital technologies had even been conceived of. Simply put, there weren’t that many people around who still do what I wanted.

I knew what I was looking for was someone with talent who shared my affection for those classic posters. I quickly discovered the best, and perhaps only, way to discover those people was through exploring the world of fan art. As I began looking at various fan art competitions, I noticed some work that was drastically far and above the rest. I also noticed it was always from the same artist. Without fail, Paul Shipper’s work was always incredibly striking, his talent was simply undeniable, and, most amazingly of all, he seemed to somehow be plucked from a different generation. A generation where such incredible skills were still respected and exploited in the movie industry. So, always of the “can’t hurt to try” mentality, I hunted Paul down through his website.

At first I was surprised to realize he was somewhere on the other side of the globe. Being in the film industry, I know people are often reluctant to work with you if you’re not in the right zip code, much less continent. But hey it’s the computer age, and its as easy to chat with someone in New Zealand as your neighbor these days. After all, I was so ecstatic to realize Paul was enthusiastic about the idea, geography seemed of little consequence. So I ran off to the post office and sent a copy of the film around the globe to get his thoughts.

Then the real fun began, designing the poster. When you do a traditional poster you sift through photos either from the movie itself or shot just for such marketing purposes. You pick and choose, and then let the photo-shop magic happen. But in painting an original work I actually found a tremendous amount of liberation. Everything was somehow now possible. Everything was an option. Every look could be changed, body position, background, etc. As we got into it we changed scenery, we changed activities, and yes I confess, we may have even changed an actresses bust size. But unlike photoshop where the natural response would be, “oh they changed her bust in photoshop. That’s so fake.”. Ours was illustrated, so of course its fake! It’s a caricature, that’s the beauty of the genre; exaggeration is expected and embraced.

In the end Paul created what is not only an incredible poster but also an incredible work of art. One I am proud to have hanging on my wall, and one I’ve gotten countless requests from other people wanting to have it hanging on their walls. The poster has served us incredibly well on the business front as well. It has played a tremendous part in the marketing of the film. And it seems without fail, wherever the poster is seen there is a fondness and nostalgia for its classic artistry. Most importantly of all, at the end of the day a poster is a marketing tool, and I challenge anyone to pass by the poster Paul Shipper made for “Made For Each Other” and not be curious to find out a little more about our film.

Daryl Bob Goldberg

Director

Made For Each Other

Official Website: www.madeforeachothermovie.com

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